Kumpulan Prompt AI Edit Foto Jadi Cover Album Ala Penyanyi Idola, Tinggal Copy-Paste

JAKARTA, DISWAY.ID - Tren edit foto dengan cover album penyanyi idola belakangan ini banyak dilakukan orang-orang.

Dengan bantuan Artificial Intelligence (AI), siapa pun bisa menghasilkan cover album ala penyanyi idola hanya dalam hitungan detik. 

Cukup gunakan prompt yang tepat, hasilnya bisa terlihat profesional, estetik, bahkan layak dipamerkan di media sosial.

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Tren edit foto pakai AI memang sedang naik daun, apalagi setelah banyak musisi dunia memanfaatkan teknologi ini untuk eksplorasi visual karya mereka. 

Nah, berikut Disway.id telah merangkum kumpulan prompt AI edit foto menjadi cover album.

Kumpulan prompt AI Edit Foto Jadi Cover Album

1. Taylor Swift

A whimsical and romantic digital painting for a Taylor Swift album cover. She is surrounded by a pastel dreamscape of floating hearts, cotton candy clouds, and shimmering glitter. She is wearing a sequined outfit in shades of pink, purple, and blue. The style is bright and cheerful, with a soft watercolor and airbrush effect, creating a dreamy, ethereal feel. The lighting is soft and magical, like a sunset. The overall mood is joyful and optimistic.

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2. SZA

Square-format album-cover scene of alone subject [person in the image] sitting in relaxed profile on the very tip of a white spring diving board that just in from frame right over a vast ocean; no horizon or land visible-only layered,choppy waves filling the frame; Subjects wears an black and white athletic jersey, black wide baggy pants and timberland brown boots; composition matches precisely-the subject is placed on the right third,camera at eye level in three- quarter profile facing frame left with chin slightly lifted, legs dangling,hands resting on the knees, and the diving board nearly horizontal as a clean leading line; sea color tones are dominant and specific; deep indigo base with Prussian blue mid-tones, teal cyan highlights on wave crests, cool slate-blue shadows, and near-black troughs with subtitle silver specular glints-overall cool blue-hour pallete; lightning is soft, diffuse late-day with gentle falloff; add fine film grain, faint halation, slight vignette, mild matte curve, and restrained contrast; shot with a 35mm film look using 135mm telephoto equivalent at f/4. 1/500s. ISO 400 for crisp focus on subject and board with medium-deep depth to keep wave texture legible; include a small “Parental Advisory: Explicit Content” label tucked into the bottom-right corner matching commercial album art conventions.

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3. The Beatles

A cinematic recreation of the iconic Abbey Road album cover, showing a single young man walking barefoot across a zebra crossing. He is wearing a dark suit jiacket with matching trousers, imitating the second person from the left in the original Beatles Abbey Road photo. The setting captures the same perspective of Abbey Road, with a long street lined with tall green trees on both sides, brick buildings partially visible, and vintage cars parked along the roadside. A classic white Volkswagen Beetle is clearly visible on the left side of the street, adding to the authenticity of the background. The composition is wide and symmetrical, focusing on the man crossing in the foreground while the street and background details fade slightly softer into the distance. The tone is warm vintage film with natural daylight, slightly muted 1960s colors, light film grain, and a subtle nostalgic vibe.

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4. The 1975

Gritty, high-contrast monochrome close-up on a vast, empty beach at low tide: tight 9:16 vertical

frame from a slightly low eye-level vantage -5-7 m away; a rusted, graffiti-scarred mid-century sedan is shown in clean true side profile, its body nearly spanning the full frame width with the front bumper and rear quarter just shy of the edges; Subject[person in the image), wears all-black outfit: long coat, loose trousers, sturdy boots. Subject stands full-body on the roof in silhouette, arms outstretched for balance, the lead knee deeply bent into a dynamic crouch while the trailing leg stays supportive and slightly flexed, head dipped; the horizon runs level across the upper third as a thin strip of overcast sky, while the foreground sand is irregular and not neat, scuffed, patchy, and lightly ridged with damp/dry variation, strewn with scattered clumps and ribbon-like strands of dry seaweed; composition emphasizes negative space above the Subject, who nearly grazes the top margin, ensuring car and Subject together almost fill the frame; shot type: tight environmental full- body; camera: full-frame digital mirrorless with 35 mm prime; settings around f/8, 1/500 s, ISO 200 for deep DOF and crisp detail; lighting: natural diffuse daylight; processing: silver-gelatin style black-and-white with orange-filter simulation, deep blacks and bright whites, pronounced miero contrast on metal and graffiti, subtle vignette.

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